Introducing the new Breitling Chronomat that takes design cues from the future-classic 80s watch. The new Chronomat continues a burgeoning trend of revisiting heritage models from Breitling's esteemed back catalog.Under the leadership of Georges Kern, we have seen the Ref 806 from 1959, and Ref 765 from 1953 get the revision treatment. Also, the recently announced Top-Time with bow-tie dial. But these come from the Willy Breitling era. For some collectors, Breitling didn't begin until the 1980s.
Legendary FutureFirst, a little bit of history. Breitling, during the 70s, was in a bit of a rut. This was true for many Swiss brands, left reeling from the onset of the quartz crisis. and Patek Philippe put their heads down and came up with the Beta 21 quartz movement to compete with the Japanese. Zenith went overboard and nearly scrapped all their movements. If it weren't for Charles Vermot, who stowed the El Primero designs and machines away, at least one bonafide classic would have been lost. But the esoteric Swiss watchmakers, full of pride, stood by their traditions and ended up on the brink of collapse.Willy Breitling sold the company to Ernest Schneider just before his death in 1979This is where we find Breitling. Close to bankruptcy, Willy Breitling sold the company to Ernest Schneider just before his death in 1979. Schneider now had a decision; take the blue pill and go with the herd and focus on quartz. Take the red pill, and remind the world of Breitling's contribution of the twin-pusher mechanical chronograph. Let's just say, Schneider wasn't living in a dream-world. Launched in 1984, the Chronomat looked like a prop from Rambo. The bullet crown, the gun-belt bracelet, and prominent rider tabs on the bezel. This was a rugged, macho timepiece built for the wrists of muscle-bound action stars of the decade.
A new Breitling eraChronomat, in name, dates back to the 1940s but took on a new meaning as a portmanteau of Chronograph and Automatic. The 80s Chronomat was a huge success and came to define a new era for Breitling. The design was so popular that it became the template for the Aerospace, the Colt, the Avenger, and Galactic. Now over the years, the Chronomat faltered for me. The rider tabs and bullet crown remained, but the overall look veered into the brash and flashy. The overly polished cases with bold Roman numerals just didn't sit right with me, and replacing the Rouleaux bracelet with the standard 5-link just took away a large chunk of charm.
New for 2020, Georges Kern pays tribute to his predecessor with a nod to the Schneider-era Chronomat. Reinstating the quirky bracelet with modern finishing and production techniques. Also, within this re-edition is the staple B01 in-house movement. That $50million RD investment for the auto-chrono with 70-hours power reserve in the early 2000s has undoubtedly paid for itself and then some by now...the 1984 Chronomat used the out-sourced Valjoux 7750Going back to 1969, Breitling, in association with Buren and Hamilton, brought the first batch of automatic chronographs to the market. But the 1984 Chronomat used the out-sourced Valjoux 7750 with 6, 9, 12 sub-dial placements. With the B01 movement having a more symmetrical 3, 6, 9 layout, you cannot say that this is an authentic recreation in the same vein as the Ref 806 from last year. This is a new watch for a new era a reimagining rather than a straight-up reissue.
Not a totally faithful re-editionThat said, the overall look does pay a great homage to the 80s watch. Let's start with that bracelet. The brushed rifle-shell-style links are bound together by polished inner links, which blend seamlessly from the case. Recent Chronomats have felt incredibly top-heavy, but now there is a subtle, tapered flow from the 42mm case sides to the butterfly clasp. You could even call it an integrated bracelet, but Breilting also offers a choice of rubber straps.The crown guards retain their prominence with sharper angles. The bullet-shaped crown has stayed the course, but Breilting has elected to smoothen the chronograph pushers rather than the repeating bullet pushers as before. It makes sense as the grooved shape of the screw-down crown has a practical use for winding and setting but is unnecessary for the pushers.
I bet you didn't even notice the date window at first. It's there and nestled quietly within the sub-dial at 6 o'clock. Legibility is relatively unimpeded, though. The chronograph hour totalizer shifts in wider intervals, so you'll still be able to tell you have tracked 6 hours, even with the date window in its place. We've seen the 6 oclock date on chronographs elsewhere, such as in the TAG Heuer 02, and I much prefer this position than the 4:30 date windows of other Breitling B01-powered watches.Chronographs equipped with the B01 tend to have alternating sub-dial colors to indicate the more premium option.Another directive, under the leadership of Georges Kern, is that the sub-dial colors for Valjoux-derived chronograph counters are the same tone as the dial. Chronographs equipped with the B01 tend to have alternating sub-dial colors to indicate the more premium option. Only the B01 powers this new Chronomat, but there is one model that breaks this combo. And it might just be my favorite of the new collection.
Legendary FutureFirst, a little bit of history. Breitling, during the 70s, was in a bit of a rut. This was true for many Swiss brands, left reeling from the onset of the quartz crisis. and Patek Philippe put their heads down and came up with the Beta 21 quartz movement to compete with the Japanese. Zenith went overboard and nearly scrapped all their movements. If it weren't for Charles Vermot, who stowed the El Primero designs and machines away, at least one bonafide classic would have been lost. But the esoteric Swiss watchmakers, full of pride, stood by their traditions and ended up on the brink of collapse.Willy Breitling sold the company to Ernest Schneider just before his death in 1979This is where we find Breitling. Close to bankruptcy, Willy Breitling sold the company to Ernest Schneider just before his death in 1979. Schneider now had a decision; take the blue pill and go with the herd and focus on quartz. Take the red pill, and remind the world of Breitling's contribution of the twin-pusher mechanical chronograph. Let's just say, Schneider wasn't living in a dream-world. Launched in 1984, the Chronomat looked like a prop from Rambo. The bullet crown, the gun-belt bracelet, and prominent rider tabs on the bezel. This was a rugged, macho timepiece built for the wrists of muscle-bound action stars of the decade.A new Breitling eraChronomat, in name, dates back to the 1940s but took on a new meaning as a portmanteau of Chronograph and Automatic. The 80s Chronomat was a huge success and came to define a new era for Breitling. The design was so popular that it became the template for the Aerospace, the Colt, the Avenger, and Galactic. Now over the years, the Chronomat faltered for me. The rider tabs and bullet crown remained, but the overall look veered into the brash and flashy. The overly polished cases with bold Roman numerals just didn't sit right with me, and replacing the Rouleaux bracelet with the standard 5-link just took away a large chunk of charm.New for 2020, Georges Kern pays tribute to his predecessor with a nod to the Schneider-era Chronomat. Reinstating the quirky bracelet with modern finishing and production techniques. Also, within this re-edition is the staple B01 in-house movement. That $50million RD investment for the auto-chrono with 70-hours power reserve in the early 2000s has undoubtedly paid for itself and then some by now...the 1984 Chronomat used the out-sourced Valjoux 7750Going back to 1969, Breitling, in association with Buren and Hamilton, brought the first batch of automatic chronographs to the market. But the 1984 Chronomat used the out-sourced Valjoux 7750 with 6, 9, 12 sub-dial placements. With the B01 movement having a more symmetrical 3, 6, 9 layout, you cannot say that this is an authentic recreation in the same vein as the Ref 806 from last year. This is a new watch for a new era a reimagining rather than a straight-up reissue.Not a totally faithful re-editionThat said, the overall look does pay a great homage to the 80s watch. Let's start with that bracelet. The brushed rifle-shell-style links are bound together by polished inner links, which blend seamlessly from the case. Recent Chronomats have felt incredibly top-heavy, but now there is a subtle, tapered flow from the 42mm case sides to the butterfly clasp. You could even call it an integrated bracelet, but Breilting also offers a choice of rubber straps.The crown guards retain their prominence with sharper angles. The bullet-shaped crown has stayed the course, but Breilting has elected to smoothen the chronograph pushers rather than the repeating bullet pushers as before. It makes sense as the grooved shape of the screw-down crown has a practical use for winding and setting but is unnecessary for the pushers.I bet you didn't even notice the date window at first. It's there and nestled quietly within the sub-dial at 6 o'clock. Legibility is relatively unimpeded, though. The chronograph hour totalizer shifts in wider intervals, so you'll still be able to tell you have tracked 6 hours, even with the date window in its place. We've seen the 6 oclock date on chronographs elsewhere, such as in the TAG Heuer 02, and I much prefer this position than the 4:30 date windows of other Breitling B01-powered watches.Chronographs equipped with the B01 tend to have alternating sub-dial colors to indicate the more premium option.Another directive, under the leadership of Georges Kern, is that the sub-dial colors for Valjoux-derived chronograph counters are the same tone as the dial. Chronographs equipped with the B01 tend to have alternating sub-dial colors to indicate the more premium option. Only the B01 powers this new Chronomat, but there is one model that breaks this combo. And it might just be my favorite of the new collection.